Œuvres

Biographie

1846–1890

Albert Dubois-PilletBeing a pro­fes­sion­al Army offi­cer, Albert Dubois-Pil­let was an auto-didact and tal­ent­ed mem­ber of a new gen­er­a­tion of painters inspired by Impres­sion­ism. These new­com­ers devel­oped their own tech­nique and style dur­ing the decade 1870–1880. As a co-founder of the ‘Société des Indépen­dants’, Dubois-Pil­let exhib­it­ed at the 1884 ‘Salon des Indépen­dants’ along­side Georges Seu­rat, Paul Signac, Hen­ri-Edmond Cross, Odilon Redon and Louis Valtat.
As a friend of the lead­ing fig­ures of Neo-Impres­sion­ism, Paul Signac and Georges Seu­rat, Dubois-Pil­let became a styl­is­tic rep­re­sen­ta­tive of Pointil­lism. Oth­er­wise known as Divi­sion­ism, this style was root­ed in the sci­en­tif­ic colour the­o­ries of Michel-Eugène Chevreul, the notable French chemist who pre­sent­ed the world with his rev­o­lu­tion­ary chro­mat­ic dia­gram in 1861 and in the find­ings of O.N. Rood, Amer­i­can pro­fes­sor of physics who devel­oped the sci­ence of colour per­cep­tion. In 1887, Dubois-Pil­let dis­cov­ered the work of the 18th Cen­tu­ry British poly­math Thomas Young, who revealed that the eye had three colour recep­tors to per­ceive the three pri­ma­ry colours. Dubois-Pil­let exe­cut­ed this tri­ad colour the­o­ry by apply­ing a pri­ma­ry colour in between hues of colour.
In 1889, Dubois-Pil­let left Paris when the army trans­ferred him to Puy-en-Velay, in rur­al Auvergne. Here he fell vic­tim to small­pox and passed away in 1890.